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Posts Tagged ‘TSI alum guest post’

By Folger Education

Today we bring you an idea for a final project in a Romeo and Juliet unit. Watch how Teaching Shakespeare Institute 2014 alum and English teacher David Fulco blends performance, language study, and digital research in this student-centered assignment. We love how he uses web tools to promote exploratory, independent learning in his middle school classroom! 

Here’s David:

 

BEFORE YOU WATCH

I am constantly trying to find ways to talk less in class and to have students do more. Ultimately, this should lead to more student independence and free up time for me to focus in small groups and in one-on-one conferencing. A webquest is the perfect tool to encourage this type of independence. Students are able to move at their own pace and have an answer to the inevitable question, “What do I do next?” (hint: continue to explore!). But webquests are also fun and provide a way for students to engage in the text in an interactive, exploratory fashion.

 

THE VIDEO

A Webquest as a Culminating Assignment:

 

 

AFTER YOU WATCH

While I did not teach Romeo and Juliet this year, I did use a Webquest to build content knowledge before teaching The Odyssey. My students have a basic idea of Greek Mythology, but I wanted to deliver content on the Iliad that didn’t require me to drone on and on in the front of the classroom. I built the Webquest and filled it with pictures, links and Easter Eggs (secret hidden links that the students could click on for extra information). We also asked the students to create their own “slides” to include in the Webquest based on items that I had not already included. Many focused on current events or current discoveries tied to Homer’s time allowing the work to continue to feel relevant.

While students were engaged in exploring and creating, my co-teacher and I were able to meet individually and in small groups with many of our students who needed extra help. I realized that some of the links that I chose were dense, so it was important that I had this time to work one-on-one with students who needed it. This is important to keep in mind. The links that are included need to be challenging for the highest student, but still accessible to every student in the class. Keeping ALL of your students in mind when creating a Webquest (or multiple Webquests for differentiation) is an important step to ensure that you will have success.

Feel free to send me your questions or ideas on Twitter (@FulcoTeaches).

 

Read Teaching Romeo and Juliet with Technology: Part Three

 

David Fulco is a 10th grade English teacher at The Laboratory School of Finance and Technology (MS/HS223) in the South Bronx. He also runs an after school Shakespeare club for seventh grade students who will be putting on A Midsummer Night’s Dream later this spring. 

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By Folger Education

 

What does sound editing software have to do with Shakespeare? Let’s find out in the third installment of our teacher-created videos on teaching Romeo and Juliet.


Teaching Shakespeare Institute 2014 alum Matt Seymour shares a creative, accessible, and engaging approach to teaching iambic pentameter. See how Matt gets his students tinkering with a technology called Audacity—and with a metrical pattern that’s close to our hearts!


Over to Matt: 

 

BEFORE YOU WATCH

Iambic pentameter never made sense to me in high school. I could tell you what it was, but I couldn’t recognize or hear it. This lesson is an effort to render the patterns of stress in speech visible, so students can make a connection to sound through sight.

 

AFTER YOU WATCH

This lesson was a good start for getting students to use an online audio program, and it helped communicate what can be a difficult concept for students to grasp. Students enjoyed this lesson because they got to play with a new program and they were able to hear themselves reading. This audio program can be great for teaching students to read more fluently and having them create podcasts. Students can also use this program for group projects where they add subtext and “act out” a scene with their voices and add sound effects.

Read Teaching Romeo and Juliet with Technology: Part Two

Matt Seymour teaches English composition and literature at Colorado Early Colleges Fort Collins. He holds a Bachelor’s in philosophy and a Master’s in English. He has been teaching for 8 years.

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By Folger Education

 

Here’s another great teaching video on Act 1 of Shakespeare’s Romeo and Juliet, this time from Teaching Shakespeare Institute 2014 alum and English teacher Alli Gubanich.

 

Here’s Alli’s message for you as you watch her iMovie tutorial on using technology and movement to teach language and imagery:

 

BEFORE YOU WATCH

 

This video provides a brief overview of a favorite classroom activity (tableaux vivants) and a favorite classroom tool (iMovie).  I use iMovie in many lessons and find it intuitive and user friendly.  If your students don’t have access to Apple products, Microsoft video production software would work, as would YouTube’s own video maker.  Tableaux vivants compel students to think deeply about the essence of a text, look for powerful imagery, and create meaningful “pictures” to demonstrate their understanding and take-away.

 

THE VIDEO: Tableaux Vivants with iMovie

 

AFTER YOU WATCH

 

Students have a lot of fun with this activity.  Sometimes I’ve found it helpful to run two separate tableaux vivant activities: first students create plot-driven tableaux, then they create “deep text” or theme-driven tableaux.  Differentiating the two is important, as students will often fall back on the former, missing out on the higher level thinking required of the latter.  I always start with a word study of the term “tableaux vivants” and do some quick practice with simple sentences.  I’ve also assigned single frame artwork as an extension to this activity, which has worked nicely.  Debriefing in discussion and/or in writing also enriches the lesson.

Feel free to let me know how this activity goes for you! I’m on Twitter: @alligub.

Read Teaching Romeo and Juliet with Technology: Part One

Alli Gubanich is an upper school English teacher at AIM Academy, a research-to-practice lab school in Conshohocken, PA that serves students with learning differences.  Her professional interests include technology infusion in the classroom and differentiated learning in the 21st century classroom.  Additionally, Alli is an accredited teacher trainer in the Socratic Seminar instructional method.

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By Folger Education

In July 2014, 25 teachers from all over the country gathered at the Folger for an intensive month-long study of Shakespeare sponsored by the National Endowment for the Humanities: the Teaching Shakespeare Institute. Working through the lenses of scholarship, performance, and pedagogy, participants completed three major projects: 1) a research paper using items in the Folger collection, 2) a collaborative performance presentation, and 3) two short video tutorials on technology-rich strategies for teaching Romeo and Juliet and Twelfth Night. This last one is directed especially at you, our teaching colleagues.

In the next few weeks, we’ll be sharing participants’ videos with you. These clips demonstrate how to use a particular tech tool to teach a specific literacy skill or aspect of a text. First up: Romeo and Juliet. (If you teach Twelfth Night, stay tuned—those videos will be next!)

Today we’re diving into Act 1 of Romeo and Juliet, and we’re lucky to have English teacher Stefanie Jochman as our guide. She’s going to walk you through what to watch for in her videos—and how she’s adapted the strategy this year in class.

BEFORE YOU WATCH

This video lesson explains how teachers can use Mozilla Popcorn Maker, a web-based video-editing program, to explore Act I, Scene 5 of Romeo and Juliet, specifically the “Holy Palmer” sonnet. My Popcorn Maker video seeks to solve a problem teachers sometimes encounter when conducting multimedia studies: lag-time between loading video clips or showing images. Using Popcorn Maker, I knit film clips, ballet excerpts, and digital images from the Folger Library’s Luna database into one fluid video that also displays focus questions for each medium. Compilations like the one I create in this demonstration help students to analyze the representation of a key scene in a variety of artistic media (Common Core Reading Literature Standard 7) or analyze how artists like Sondheim or Zeffirelli draw on source material from Shakespeare (Common Core Reading Literature Standard 9).

THE VIDEO: Popcorn Maker Tutorial

https://www.youtube.com/watch?v=-MqkIzLQ3Yg&feature=youtu.be

THE BONUS VIDEO: The Finished Product, a Popcorn Version of the “Holy Palmer” Sonnet

https://msjochman.makes.org/popcorn/261o

AFTER YOU WATCH

The Romeo and Juliet multimedia study remains one of my favorite lessons in my Romeo and Juliet unit because students’ responses to the discussion questions are so impressive. Some of my students have never watched ballet before this lesson, but their knowledge of Romeo and Juliet the play, one seemingly-difficult medium, helps them to make sense of another. During this lesson, students recognize and hone the analytical skills they already employ whenever they go to the movies, watch TV, or glance at a piece of art on the street, in their houses, or in a gallery. When asking freshmen to compare representations of Act 1, Scene 5, I try to focus on the scene’s essential elements: the language of the “Holy Palmer” sonnet, Romeo’s feeling of “love-at-first-sight,” Juliet’s youth, and the tension between the Montagues and Capulets (personified by Tybalt). I think students surprise themselves with how quickly they notice details in costuming and performance that communicate those elements.

My Romeo and Juliet multimedia study inspired a similar exploration with my IB junior class of Shylock’s “To bait fish withal” speech from The Merchant of Venice. I challenged those older, advanced students to determine the scene’s “essential elements,” and I let their observations (rather than my own pop-up questions) guide discussions of the clips. Actors’ interpretations of Shylock’s speech vary so wildly that the end result of our study was a greater appreciation for the nuance of Shakespeare’s language. I also shared Popcorn Maker and other video tools with some of my senior IB students, and they used the program to demonstrate how the Byronic hero survives in superhero movies.

In the future, I hope to develop a compilation and analysis assignment that requires students to independently assemble and analyze multiple representations of a scene, poem, chapter, or character.

Feel free to send me your questions or ideas on Twitter (@MsJochman).

Stefanie Jochman teaches 9th grade and International Baccalaureate English classes at Notre Dame de la Baie Academy in Green Bay, WI. She received her BA in English and Secondary Education from St. Norbert College and her MA in English from the University of Wisconsin Oshkosh. Stefanie is a proud alumna of the 2014 Teaching Shakespeare Institute. 

 

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By Kevin Costa

Whenever I begin a Shakespeare play with my students in my two-year course, The Institute for Shakespeare and Renaissance Studies at McDonogh School, I get the class working on text from just about Day One. I don’t spend a lot of time setting up with talk about Shakespeare’s life or with the history of the period — there’s plenty of time for that later, if at all.

Owiso Odera (Othello) and Ian Merrill Peakes (Iago), Othello, directed by Robert Richmond, Folger Theatre, 2011. Photo by Carol Pratt.

Owiso Odera (Othello) and Ian Merrill Peakes (Iago), Othello, directed by Robert Richmond, Folger Theatre, 2011. Photo by Carol Pratt.

When I first started this course, I would choose the play we’d cover for two years, but this fall I took a different approach. My students and I looked through the Complete Works, and we read bits and pieces of plays that I thought they might like. This year, I think we may have looked at the moment in Othello where Iago helps convince Othello that Desdemona has been unfaithful (3.3). Then we also read through the two scenes in Measure for Measure where Angelo propositions Isabella to sleep with him (2.2 & 2.4).

If you have a choice of play from which to chose, this is a compelling way to have students own their experience from the get-go. In other words, get students hooked by offering some of a play’s “greatest hits.” Once they have a taste of something they like, they’ll certainly want more since a well-chosen scene can really awaken their curiosity for the whole work.

If you don’t have a choice in play, that’s no problem at all. Here are some ideas for some of the most-taught titles.

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By Jill Burdick-Zupancic

In English 10, I chose to study Macbeth with the students this year. However, because we were also looking at how imagery supports characterization, I decided to get them back into the world of Shakespeare with a look at Gertrude’s recount of Ophelia’s drowning in Hamlet. I’ve recently been really into taking scenes from a variety of plays to support the study of a larger piece. This scene, as described by the queen, has taken root in pop culture as well; there’s even a band! But, what we did is take a look at the speech (as shown below, courtesy of Folger Digital Texts) and explored how artists interpreted the imagery to support characterization.

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Guest post by Michael Klein

It didn’t take me long to rethink how to look at Shakespeare texts after listening to Dr. Ann Cook Calhoun compare them to a musical score.

“Reading texts sitting at a desk is like looking at musical notations without hearing the instruments” she said during the English-Speaking Union’s Shakespeare Teacher Intensive two-day, low-cost, non-residential institutes for teachers.

She went on to explain the performative nature of Shakespeare texts, which essentially serve as scripts. The idea behind the intensive institutes is to present a unique teaching methodology designed to help teachers put students “inside the texts, and get the words up on their feet.”  Dr. Calhoun’s message was clear, not only did I need to “play” the “music” in front of me, but also its meanings and beauty would be much louder and clearer with other “musicians” around to discuss the meaning, and then perform the score.

The workshops aren’t just lectures presenting nifty ideas either. The English-Speaking Union has partnered with the Folger Shakespeare Library, which provides a master teacher to present curriculum ideas using a variety of methods, most of which are included in the Shakespeare Set Free Toolkit teachers can take home with them. The Toolkit includes a flash drive with handouts, cut scenes, images from the Folger collection, 10-30 minute performance-ready versions of some of the plays, and a copy of Shakespeare Set Free, Teaching Romeo and Juliet, A Midsummer Night’s Dream, and Macbeth. (more…)

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