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Ben Jonson once wrote of Shakespeare, “He was not of an age, but for all time.”  Now, almost 400 years after Shakespeare’s death, we live in a world where it gets more difficult every day to convince students of the Bard’s relevance. Cell phones, iPads, and video games seem to have taken center stage in the common teenager’s life.  Is it really as difficult as some suggest to engage today’s student in the study of Shakespeare and his play?  I would argue that Shakespeare is doing just fine in 2013.  In a recent Folger Education Facebook entry, there was a link posted about seven upcoming film or television projects that all involved Shakespeare.  PBS recently began their six episode series entitled “Shakespeare Uncovered” and the first episode examined my all time favorite play, Macbeth.  As someone who feels they have a strong grasp of the play, I was fascinated at all the little insights I gained from watching this episode.  It was especially thrilling for me to see Dunsinane Hill and possibly the remnants of Birnam Wood in the surrounding countryside. As I watched, I was already plotting which clips from the show I wanted to share with my students next year when we study Macbeth.

In addition, I am amazed at how many newspaper and magazine headlines, syndicated columnists, and television shows make references to the Bard’s works.  One recent example that comes to mind was an opinion piece about the US tax code and how it relates to Shakespeare.  On television, CBS’s The Mentalist had two episodes from 2012 where Shakespeare had a major role in the outcome of the show. In the episode, “Something’s Rotten in Redmund” the lead character Patrick Jane investigates a teacher’s death by hanging around rehearsals of Hamlet.  By the end of the episode, Jane is on stage playing the ghost of Hamlet’s father and let’s just say that this ghost has other things to reveal than a usurping uncle. In another episode, “Cheap Burgundy,” Jane catches a killer by misquoting lines from Macbeth that the killer supposedly knew nothing about, but who felt the need to correct Jane’s mistake.  In this week’s Sports Illustrated, there is a college basketball article by Luke Winn entitled “Cry Havoc and Let Slip the Dogs of Hoops.”  I love seeing references to Julius Caesar in my favorite sports magazine.

While this was a long-winded introduction to what I want to share, I think it is important that students be shown the numerous examples of how the Bard’s works are alive and well in the 21st Century.   With that said, I also think that, we as educators, need to embrace the technology of today and also get the students out of their desks and experience the plays on their feet.  In this blog, I would like to share two of the activities that I have done in my classroom over the past three years to make the Bard come alive and allow the students to use a plethora of the technology that they love.

One of my most popular classroom activities is the making of a movie trailer after we study a play.  With the majority of newer iPads and cell phones  possessing video cameras that are HD quality, many of the students can film these projects using their own devices.  Of course, actual video cameras may be used as well.  The simplicity of movie editing programs like iMovie, Windows Movie Maker, and other similar programs allow students to use edit the film and use effects that we could only dream of having at our fingertips ten years ago.  So far, my classes have done Hamlet and Othello.  None of them will earn Oscars, but they all have a special place in my heart and the students appear to really enjoy this particular week of my class.

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Chris’s students act out scenes from HAMLET for their trailer project.

I will give you a general overview of what the students are responsible for, but if anyone has more specific questions feel free to contact me.  First, the students make groups of 7-10 depending on class size.  Together, we view some film trailers in class and have a short discussion on what was effective or ineffective about each.  Next, the students decide on which scenes or lines must make an appearance in the film.  I try and stress to them that short clips are most effective, but if you watch the links that I provide you will see that they don’t always follow those instructions.  Sometimes their disobedience was effective and other times not so much.  After building the script, Students also need to discuss scene locations(we are limited to our school grounds), costumes, and props.  We usually borrow clothes from the drama department closet, but you will see in the Othello trailers that some were just dressed in normal school clothes. Finally,  we begin the filming process.  Even though the trailer will probably be no more than one to four minutes long, it will probably take at least three or four days to film and we have the block schedule at my high school.  One can never underestimate how many times the “actors” will stumble over their lines, unexpected encounters with  students from other classes or cars that appear in your video backgrounds forcing a cut, or when the laughter bug hits and nobody can keep a straight face.  You can view the bloopers reel at the end of our trailer videos to see what I mean.

After all of the filming is completed, the editing process takes over. I usually do most of the editing with the help of a few students.  I think this is a mistake that I need to remedy.  There is a pretty slick trailer feature on iMovie that my dog could probably figure out with a little time.  My plan this year is to arm the students with iPads and allow them to use the iMovie app to create their masterpieces.  I have included links to our previous trailers here.  Hamlet #1 , Hamlet #2 , Both Othello Trailers.

Staying on the theme of video production, I’d like to quickly share a project that two of my students created on their own that I now plan on having my future classes do as a formal assignment.  They called it the “Shakespeare Infomercial”. Neil and Spencer picked a product to sell that played a role in a specific play.  In one Othello infomercial, they sell an Egyptian handkerchief complete with strawberry embroidery. If the customers acted soon enough, they would also throw in a complimentary scimitar and scabbard.  They finished the video with several satisfied customer’s remarks.  What I enjoyed most about the infomercials was how they threw in several references to the plays and the Bard that were very clever.  Watch the Othello informercial here and then check out their Macbeth infomerical where they sell witch cauldrons among other items.  The portion of the assignment that takes the longest is the writing out of the script. They filmed and edited the video on an iPad in under an hour.

I am out of space, but I hope to share some more activities from my classroom in the future.  Thanks for taking the time to read this and making your classroom one that makes the Bard come alive!

Chris Lavold has been  an English teacher and baseball coach at Mauston High School in Mauston, WI for the past 16 years.  As a 2010 Folger Library Teaching Shakespeare Institute participant, he learned many valuable techniques and insights about Shakespeare and the teaching of his plays.  He has spoken at the NCTE conference for the past two years on behalf of the Folger on topics specializing in technology and the use of film in the classroom. Lavold can be reached at clavold@maustonschools.org  or follow him on Twitter @Shakehitch.

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Folger Theatre Production, 2010

Thanks to the efforts of Folger Theatre, the Globe’s Theatre’s production of Hamlet is currently in residence at the Folger.  The reviews have been good, and audiences are deeply engaged in the work.  This collaboration between the Folger and the Globe has prompted Folger Education to re-release four video podcasts that focus on the play, including an insider’s guide for all audiences and three others that focus on teaching the play.  The vide0s are based on Folger Theatre’s 2010 production of the play, and  were filmed by Alabama Public TV thanks to a partnership between the two institutions.  When the videos were posted to the Folger’s YouTube page, there were no lesson plans for teachers to help them make the most effective use of the videos, but that’s now been addressed.  A series of lesson plans created by English teacher, Kevin Costa, specifically designed for use with the videos, and complete with Common Core State Standards references, has made them an indispensible resource for teachers.  As Hamlet observes, “The Play’s the thing.”

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Last week, our twenty-five NEH Summer Scholars bid farewell to the Folger and returned to their school districts to get ready for the new school term.  They had a month-long intensive institute filled with opportunities to engage Shakespeare’s plays through curriculum, performance, and research-based activities.  Our first look at the feedback we received from our Summer Scholars indicates that, among the many activities they were able to engage in while at the Folger, they loved the opportunity to research in the Folger’s reading rooms best of all.  And who wouldn’t? With an incredible collection of materials on Shakespeare and the early modern period, the Library is an excellent resource. Our YouTube page contains a number of videos we have produced that are designed to help researchers make the most of their time in the Library.  Chief among them is our recently added Handling Rare Materialsproduced through our partnership with Alabama Public Television. In case you haven’t seen it, take a look.  You’ll get a glimpse of our reading room, an introduction to our rare materials, and a primer on how to keep our materials safe for all to read. And, if you want to explore more of the Library, check out the video from our 75th anniversary celebration in 2007, Henry and Emily Folger Build a Library. Enjoy!

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An ad released today for Minnesota’s Great River Shakespeare Festival parodies Bravo’s plethora of “Real Housewives” with their summer lineup of Shakespearean leading ladies. On the surface, it’s just good fun – Lady M tearing up that there is more to her than just being “evil,” Goneril throwing a hissy fit about being the favorite, Titania threatening to call up storms on Denmark when Gertrude insists she is the better Queen, and little Juliet spouting romantic inanities.

However, the tagline is the best part for me: “Big Drama. Better Writing.”

Shakespeare’s audiences loved the same drama we do – forbidden romance, competition, ambition, family troubles – we watch them all the time, whether we admit to watching Real Housewives or tune in to Glee or Mad Men instead. We love drama. Shakespeare wrote dramas, and he wrote better than anyone on staff at Bravo (though let’s just forgive him for Henry VIII, ok?).

Yes – this is an ad. But it’s a good point to take back to your classrooms next fall when your new crop of students moans their first anti-Shakespearean tones. If they watch TV at all, they’ll get what’s going on with Shakespeare’s plays – they’re just going to see it done better.

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Speak the speech, I pray you, … trippingly on the tongue,”  Hamlet’s advice to the players.

 

 

When teachers assign their students to perform a scene from a play by William Shakespeare, what should their students do to get ready?  How can teachers best support their students in preparing their scenes?  Steer them away from “translated” texts of the play, for starters.  Students can handle Shakespeare’s language.  Help them to understand the language. How can using a performance-based teaching approach help?  Performance-based teaching promotes getting students up and on their feet, speaking Shakespeare’s language out loud; it is a close reading of the text using intellectual, vocal, and physical exercises to make sense of it.

On March 6th, from 1-2 pm EST, teachers and their students from around the country will be able to visit the Folger Shakespeare Library without leaving their classrooms.  Experiencing Shakespeare is a free one-hour trip that will take students into the vault of the Library to see rare books and to talk with Dr. Michael Witmore, Director, about the treasures contained within it.  They’ll hear from scholar, Dr. Gail Kern Paster, about the ways scholars examine texts to look at language, watch students and actors engage Shakespeare’s text as they prepare to perform scenes, and they’ll have the opportunity submit their own performances of Shakespeare’s work to be included in the program.  In short, students and teachers will be involved in the intellectual, physical, and vocal exercises and activities they need to do in order to engage Shakespeare’s text and make meaning of it for themselves.

Join teachers and students from around the country on their journey to find out what they need to know to put Shakespeare’s language up on its feet in this hour-long electronic field trip.  Register by clicking here.

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“How far a modern quill doth come too short
Speaking of worth, what worth in you doth grow”
~Sonnet 83

A few videos were sent our way this week (or were found by us and shared with the group), and though the content varies it seems that giving Shakespeare a modern voice is quite popular on the YouTube. Below are two of my favorites:

First, comedian John Branyan laments the decline of the English language, and resolves to tell bedtime stories in a more “Shakespearean” tone. He begins with an 8-minute rendition of The Three Little Pigs. It’s truly a marvel:

Next, hip-hop artist Akala speaks at a Tedx Conference  about how both Shakespearean verse and modern hip-hop seek to use the power of language to preserve truth. He demonstrates how they work together and how, at times, it’s even hard to tell them apart:

Do you think work like Branyan’s and Akala’s are helping to preserve Shakespeare’s language? Do they make it more accessible for modern audiences, or is it separating the Bard from us completely? Share your thoughts in the comments!

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Shakespeare is one of the most recognized figures in literature, and his works have been adapted and adapted and adapted over and over and over again for the last 400 years by people interested in exploring the stories and characters in new ways.

And that is exactly what Shakespeare did, as well.

However, Shakespeare didn’t title his work as Romeo and Juliet, inspired by Ovid, or Richard III with liberties from Holinshed’s Chronicles. His work was completely his own invention as far as the language and the way the story fell anew. He’s even been called on his artistic license!

Well, at least on Horrible Histories.

What’s still so interesting to me about how we adapt Shakespeare’s works for modern readers, filmgoers, and audiences is we often do use the original author’s name as a selling point, or blatantly use his (or his play’s) name in the title for recognition. This isn’t all the time, but it’s plenty enough.

If Shakespeare felt comfortable claiming his own work as his own, why aren’t we as secure in letting him go from our adaptations of him?

UPDATE: An article by Lev AC Rosen on his new book All Men of Genius which borrows from Twelfth Night as well as The Importance of Being Earnest - on why he chose those as inspiration and how it helped him as a writer:

“ (I’m not trying to impress theatre people, after all – just trying to write a good book). I like to think that while there are a few obvious correlations between characters in my book and those in the plays, all my characters are unique, but the tone and flavor of the book definitely comes from the source material. “

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~by Keith Jones

David as Borachio in Much Ado About Nothing at RiverTree School, 2011

Although I have taught Shakespeare on the college level for many years, I had never considered directing a play until RiverTree School asked me to direct their end-of-year Shakespeare play.

I quickly learned that two of the most essential elements to possess in directing a Shakespeare play for grade school children are passion and patience.

Isaac as Conrade in Much Ado About Nothing at RiverTree School, 2011

Passion for Shakespeare is contagious.  If the children—and their teachers and parents—see the passion you have, they will not only be able but they will be eager to share that passion with you.  The popular impression that kids are reluctant to engage with Shakespeare is entirely false.  With the invaluable help of their teachers, these kids were as far from “creeping like snail unwillingly to school” as can be imagined!

Patience is essential because the process can be lengthy.  It takes time for the play to come together.  The children need time to study the story, to learn their lines and their blocking, and to learn to project their voices without shouting.  While they are learning those, they are also starting to understand more about the characters they are enacting and the way those characters relate to the others on stage.  But none of that comes in a day.

Margaret as Leonato in Much Ado About Nothing at RiverTree School, 2011

Answering students’ questions was a particularly delightful part of the process.  They had a lot of them, and even though the questions tended to start at a basic “What does this character mean in this speech?” level, they soon developed into something much more:  “Why is this character so mean in this speech?”

The kids and I had an enormously joyful time engaging with the material.  Directing grade school children in a Shakespeare play was unquestionably one of the most profound ways of engaging with Shakespeare that I have ever experienced.

Keith is a Professor in the Department of English at Northwestern College, and the author of Bardfilm: The  Shakespeare and Film Microblog. You can see Keith featured in this month’s Teacher to Teacher segment on our monthly BardNotes e-newsletter, as well as Margaret in our first ever Student to Student video, below.

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This video was making the rounds a couple of weeks ago, and I finally had a chance to see it. Impressionist/Comedian Jim Meskin performs Clarence’s speech from Richard III (I.iv) as well-known celebrities and characters:

What I especially appreciate about his performance is that Meskin chose which voices to use based on the content of the line and how well it would relate to the character.

Meanwhile, in London, music artists Super Master Raver and Killa Kela collaborated on a piece inspired by the devastation of the recent London riots, but used Hamlet’s “What a piece of a work is man,” speech (II.ii) to illustrate their discontent with the violence:

It’s not so hard to apply Shakespeare’s words to our own lives: a soliloquy can capture our soul when we have no words for what is happening, a voice can speak to us across centuries with new and different meanings!

Have you seen, or used, Shakespeare in application to today’s news or experiences? How could students use celebrity references, music, or world news to relate to Shakespeare?

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A recent blog entry by Caitlin Griffin asked how young is too young to start reading Shakespeare.  We’ve worked with students from third grade through high school, but we do know of one school system, the Denver Public School System, that has students from kindergarten through high school actively engaged in speaking Shakespeare’s text.  The kindergartners speak famous lines, and other students tackle short pieces of text and scenes from the plays.  And they do a great job. Students are having lots of fun with the language.  So, you’re never too young to “speak the speech,” right?

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