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Archive for the ‘Technology in the Classroom’ Category

It’s a very busy week in Folger Education! We’re excited to have so much to offer for Shakespeare’s Birthday, this year, and are excited to be a part of PBS LearningMedia’s celebrations as well!

This month,PBS LearningMedia is celebrating “Much Ado About Shakespeare” with online events and resources for educators. Tonight (April 16) from 8-9pm EDT we’re joining forces for a Twitter Party discussing our favorite resources and tools for bringing Shakespeare to life in the classroom! Join us live and share your stories with us!

PBS LearningMedia is also re-releasing episodes and resources for Shakespeare Uncovered, and will be hosting a free webinar with the executive producers of the series on April 22 from 4-5pm EDT. They’ll review video from each episode and the educational resources created to accompany the series with Folger educators.

As you know, we’re coming up on our Electronic Field Trip next Tuesday and our local Shakespeare’s Birthday celebration at our historic building on Sunday. How will you celebrate?

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How do you connect Shakespeare with culture and history?

Those of us teaching Shakespeare to young people in the classroom are tasked with not only making learning interesting but also relevant. In observance of Black History Month, we want to pay tribute to the work of legendary jazz musician, Duke Ellington.

Ellington was a legendary musician whose career spanned fifty years. He composed many songs for the stage, screen and contemporary songbook. His is one of the most distinctive ensemble sounds in Western music He called his sound “American Music”.

Duke Ellington Such Sweet Thunder

In 1957, Ellington composed Such Sweet Thunder, a twelve part album that explores Shakespeare’s canon through jazz composition.

Try playing Such Sweet Thunder for your students: http://www.shakespeareinamericanlife.org/stage/music/thunder/dukeellington.cfm

What other tools can be used to engage students about Shakespeare?

Sheet music for Hamlet-Madness

Sheet music for Hamlet-Madness

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Ben Jonson once wrote of Shakespeare, “He was not of an age, but for all time.”  Now, almost 400 years after Shakespeare’s death, we live in a world where it gets more difficult every day to convince students of the Bard’s relevance. Cell phones, iPads, and video games seem to have taken center stage in the common teenager’s life.  Is it really as difficult as some suggest to engage today’s student in the study of Shakespeare and his play?  I would argue that Shakespeare is doing just fine in 2013.  In a recent Folger Education Facebook entry, there was a link posted about seven upcoming film or television projects that all involved Shakespeare.  PBS recently began their six episode series entitled “Shakespeare Uncovered” and the first episode examined my all time favorite play, Macbeth.  As someone who feels they have a strong grasp of the play, I was fascinated at all the little insights I gained from watching this episode.  It was especially thrilling for me to see Dunsinane Hill and possibly the remnants of Birnam Wood in the surrounding countryside. As I watched, I was already plotting which clips from the show I wanted to share with my students next year when we study Macbeth.

In addition, I am amazed at how many newspaper and magazine headlines, syndicated columnists, and television shows make references to the Bard’s works.  One recent example that comes to mind was an opinion piece about the US tax code and how it relates to Shakespeare.  On television, CBS’s The Mentalist had two episodes from 2012 where Shakespeare had a major role in the outcome of the show. In the episode, “Something’s Rotten in Redmund” the lead character Patrick Jane investigates a teacher’s death by hanging around rehearsals of Hamlet.  By the end of the episode, Jane is on stage playing the ghost of Hamlet’s father and let’s just say that this ghost has other things to reveal than a usurping uncle. In another episode, “Cheap Burgundy,” Jane catches a killer by misquoting lines from Macbeth that the killer supposedly knew nothing about, but who felt the need to correct Jane’s mistake.  In this week’s Sports Illustrated, there is a college basketball article by Luke Winn entitled “Cry Havoc and Let Slip the Dogs of Hoops.”  I love seeing references to Julius Caesar in my favorite sports magazine.

While this was a long-winded introduction to what I want to share, I think it is important that students be shown the numerous examples of how the Bard’s works are alive and well in the 21st Century.   With that said, I also think that, we as educators, need to embrace the technology of today and also get the students out of their desks and experience the plays on their feet.  In this blog, I would like to share two of the activities that I have done in my classroom over the past three years to make the Bard come alive and allow the students to use a plethora of the technology that they love.

One of my most popular classroom activities is the making of a movie trailer after we study a play.  With the majority of newer iPads and cell phones  possessing video cameras that are HD quality, many of the students can film these projects using their own devices.  Of course, actual video cameras may be used as well.  The simplicity of movie editing programs like iMovie, Windows Movie Maker, and other similar programs allow students to use edit the film and use effects that we could only dream of having at our fingertips ten years ago.  So far, my classes have done Hamlet and Othello.  None of them will earn Oscars, but they all have a special place in my heart and the students appear to really enjoy this particular week of my class.

Image

Chris’s students act out scenes from HAMLET for their trailer project.

I will give you a general overview of what the students are responsible for, but if anyone has more specific questions feel free to contact me.  First, the students make groups of 7-10 depending on class size.  Together, we view some film trailers in class and have a short discussion on what was effective or ineffective about each.  Next, the students decide on which scenes or lines must make an appearance in the film.  I try and stress to them that short clips are most effective, but if you watch the links that I provide you will see that they don’t always follow those instructions.  Sometimes their disobedience was effective and other times not so much.  After building the script, Students also need to discuss scene locations(we are limited to our school grounds), costumes, and props.  We usually borrow clothes from the drama department closet, but you will see in the Othello trailers that some were just dressed in normal school clothes. Finally,  we begin the filming process.  Even though the trailer will probably be no more than one to four minutes long, it will probably take at least three or four days to film and we have the block schedule at my high school.  One can never underestimate how many times the “actors” will stumble over their lines, unexpected encounters with  students from other classes or cars that appear in your video backgrounds forcing a cut, or when the laughter bug hits and nobody can keep a straight face.  You can view the bloopers reel at the end of our trailer videos to see what I mean.

After all of the filming is completed, the editing process takes over. I usually do most of the editing with the help of a few students.  I think this is a mistake that I need to remedy.  There is a pretty slick trailer feature on iMovie that my dog could probably figure out with a little time.  My plan this year is to arm the students with iPads and allow them to use the iMovie app to create their masterpieces.  I have included links to our previous trailers here.  Hamlet #1 , Hamlet #2 , Both Othello Trailers.

Staying on the theme of video production, I’d like to quickly share a project that two of my students created on their own that I now plan on having my future classes do as a formal assignment.  They called it the “Shakespeare Infomercial”. Neil and Spencer picked a product to sell that played a role in a specific play.  In one Othello infomercial, they sell an Egyptian handkerchief complete with strawberry embroidery. If the customers acted soon enough, they would also throw in a complimentary scimitar and scabbard.  They finished the video with several satisfied customer’s remarks.  What I enjoyed most about the infomercials was how they threw in several references to the plays and the Bard that were very clever.  Watch the Othello informercial here and then check out their Macbeth infomerical where they sell witch cauldrons among other items.  The portion of the assignment that takes the longest is the writing out of the script. They filmed and edited the video on an iPad in under an hour.

I am out of space, but I hope to share some more activities from my classroom in the future.  Thanks for taking the time to read this and making your classroom one that makes the Bard come alive!

Chris Lavold has been  an English teacher and baseball coach at Mauston High School in Mauston, WI for the past 16 years.  As a 2010 Folger Library Teaching Shakespeare Institute participant, he learned many valuable techniques and insights about Shakespeare and the teaching of his plays.  He has spoken at the NCTE conference for the past two years on behalf of the Folger on topics specializing in technology and the use of film in the classroom. Lavold can be reached at clavold@maustonschools.org  or follow him on Twitter @Shakehitch.

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We’ve been thinking a lot about the benefit of having students listen to Shakespeare’s language.  With the recent release of the digital edition of Othello, we are in the process of producing an audio recording of the play that follows the Folger edition.  The goal is to enable students to read and hear the text at the same time.  Our current production of Henry V is going to give us the opportunity to do an audio recording of the Chorus speeches, and we’re thinking this might be helpful for students to have available to listen to, as well.  In the middle of considering all of this, it occured to us that it might be helpful to blog about it and see what kinds of responses we’d get to asking about how teachers use audio recordings of plays in their classrooms.  We’re not talking about passive listening. Rather, actively engaging students through a guided listening exercise or activity, for example.  So, do you use audio recordings of Shakespeare’s plays, or of any plays, in your classrooms? How do you use them?  Do you find the option to be a valuable one, based on your own classroom use?

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During a particularly bad Idaho winter in 1996, my 10 year old niece visited me for the weekend.  She accompanied me to a meeting of my Shakespearean troupe, Stage of Fools.  Only one other brave soul dared to trek through the snow to rehearse that day, so we abandoned our show and read a scene that allowed my niece to play along.  We chose the Lady Macduff murder scene…what 10 year old doesn’t love to die a dramatic death?

Amy's niece and her friends play out a scene from Macbeth.

Amy’s niece joins a scene from Macbeth.

We started our exploration of the text by reading through the scene.  I was amazed at how quickly she picked up the language.  There were only a few words that she needed help defining, and after the second reading, she fully understood the action of the scene.  This is when the fun began…we got the scene up on its feet.  With every reading, she became more and more animated and died with dramatic flourish.  It made me wish that she lived closer so that she could join the Stage of Fools!

I could have performed the scene with her all night, but the weather made me nervous, so we donned our winter wear to make the slow trip home.  Before leaving the theatre, she asked me if she could borrow Macbeth for the week and give it back when I visited her the following weekend.  Of course, I said yes.

The next weekend, I attended her 11th birthday party.  To my surprise, she and her friends took turns enacting the scene for our entertainment during the party.  It turns out that she had read the entire play that week and taken the script to school so that she and her friends could practice during recess.  As you might imagine, I was one proud aunt.

A few years later, I was able to take her to the Folger Shakespeare Library.  It was a very special trip for us.  Today, she is an adult who still has a passion for Shakespeare.  In fact, she has our favorite quote tattooed down the back of her leg, “Lord, what fools these mortals be!”

"Lord, what fools these mortals be!"

“Lord, what fools these mortals be!”

Over the years, as the owner of the Shakespeare High website, I’ve been asked by parents and educators how soon we can expose our children to Shakespeare.  I always cite this anecdote as evidence that young children are more than capable of reading, understanding, enjoying, and embracing Shakespeare’s language.  While attending the “Shakespeare for All” workshop at the 2012 NCTE conference, Folger educators shared that “cognitive psychology tells us that adolescents have a harder time with language acquisition and dialect differences.  Start with grades 3-6 because they are ready.”  By introducing our younger students to Shakespeare’s language in small chunks, they will soon be ready to tackle a full play, and 9th grade teachers will no longer hear moans and groans when they introduce Romeo and Juliet for the first time.

Although I don’t teach elementary school, I enjoyed learning about the performance-based methods used when teaching Shakespeare to younger children.  If I didn’t live in the “other” Washington, I would attend the Folger Shakespeare Library Conference on Teaching Shakespeare in the Elementary Classroom June 24-26, 2013.  The conference theme is Sharing Our Stories.  I’m thankful that I was able to share my niece’s story with you and hope you will share your stories with me by leaving a comment below.

Amy Ulen is a TSI 1996 Alumni. After 20 years of teaching English and theatre, she moved into technology education.  She created the Shakespeare High website and eventually plans on updating it again. She continues her passion for incorporating technology into the study of Shakespeare both online and in face-to-face workshops.   

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~by Rick Vanderwall

My fall semester Introduction to Literature students were a great group. This course is a required, entry level lit course for first year students.  Everybody takes this course and instructors are encouraged to develop unique, engaging themes for the course. I came up with “Journeys through Danger, Temptation, and Violence”. Although this title may seem an exercise in the Sergio Leone (The Good, The Bad and The Ugly) school of curricular development, it has actually worked fairly well.  The course begins with Cormac McCarthy’s THE ROAD, moves to Capote’s IN COLD BLOOD, takes a left turn to Dickens’ A CHRISTMAS CAROL, then Shakespeare’s MACBETH, finishing up with Marlowe’s FAUSTUS. Students engage with these texts in a variety of ways, including writing the traditional literary analysis, branching out into multi-genre projects with the CAROL.  The final two works, Macbeth and Faustus work well together thematically and comparatively. Performance activities blended with in-class readings has connected students with these texts in a new and often deeper way.   With some groups and some students the performance activities can be intimidating.  While some students have experience with this way of working with dramatic literature, for some it is a first.  Students new or otherwise may find performing in front of the class is daunting.  I have always offered doing scenes in video as an option but few have selected that option, until this past fall.

From the beginning it was clear that these students were ready for whatever experience I was willing to give them.  They quickly demonstrated experience and competence in the writing of the traditional college literary analysis. They loved to discuss and pushed me for more adventurous explorations of the material. As we moved into Macbeth we simultaneously worked our way through the text and formed production teams.  Each team selected a scene from a teacher provided list.  I provided some training in the language of Shakespeare and helped the groups engage with the text for deeper understanding.  When given the performance choice most chose video production over live performance, the reverse of previous groups. The resulting scenes met my expectations for close reading and engagement.  The discussion that resulted as we watched the videos was rich.  The quality of the videos mattered less than the scene concept expressed.

Rick's students perform the text of Faustus in a video for a class project.

Rick’s students perform the text of Faustus in a video for a class project.

To View this Video, Click Here!

What I noticed as we moved into Marlowe’s Faustus was that the groups chose to stay together for the next performance project and expressed a desire to improve the films.  There seemed to be a competition among the groups to put forward an improved product. As the quality of the videos did improve, the level of the textual engagement became much deeper. One group in particular selected a complex task.  They wanted to do scenes from Faustus that included Good Angel/Bad Angel scenes.  I suggested they adapt several of these scenes into one. The act of adaption required a deep study of the text of these scenes in order weave them together.  The resulting video (linked below) opened an expanded discussion of the character of Faustus and speculation about author intent.  The culminating assignment was a paper comparing the two plays which seemed an afterthought compared to the high level of engagement of the scene production process.

I learned that alternatives to live classroom performance had potential for greater engagement. I have been aware for the past few years that more and more students came to class with experience in video production and skills with other technologies that could be utilized in performance activities.  Students reluctant to perform live in class were very willing to perform in video.  The level of engagement depended somewhat on my individual coaching of the groups and my facilitation of each group’s task/scene. I had to emphasize “process over product” and make sure not to become too focused on the success or failure of the technical aspects of projects. Instead, I commented on the concept students presented and how it addressed the text chosen.  With the videos all students, presenters and audience, were able to focus on the textual interpretation. We could easily replay all or part of the videos as comments or questions arose.

Some groups had issues with compatibility and portability of the videos.  I suggested as a backup that the videos be posted on YouTube.  Equipment varied from cellphone cameras to high end camcorders and use of Adobe Premier, iMovie, to Windows Movie Maker. Students were encouraged to use technology they had at hand.  I stated clearly that this project was not about the quality of the video but the depth of the textual engagement.  I set no “quality” standards but focused my attention on selecting challenging scenes and facilitating the groups as they addressed the task.

While this group was exceptional in their engagement, they did not seem unusual in the technology skills they possessed.  In written response following the completion of the project, they expressed surprise at the level of interest they developed in both Macbeth and Faustus.  They connected particularly with the moral dilemmas faced by both characters. As a result I am rethinking the culminating comparison paper.  Each semester informs the changes I will make for the next, that’s the one constant I have been able to count on over the course of my teaching career.

Rick Vanderwall is a faculty member in in the Department of Languages and Literatures specializing in English education At the University of Northern Iowa. He has been an educator in a middle school, high school for more than thirty-five years. He is still learning new things

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Twelve of Shakespeare’s plays, including Hamlet, Julius Caesar, King Lear, Macbeth, The Merchant of Venice, A Midsummer Night’s Dream, Much Ado About Nothing, Othello, Romeo and Juliet, The Taming of the Shrew, The Tempest, and Twelfth Night were made available in digital format earlier this month by the Folger Shakespeare Library.  The response has been tremendously positive.  Now that these twelve digital editions have been put online for free, the lesson plans on the Folger website for the plays are in the process of being linked to those digital editions, and should be completed by the end of the week.  Hamlet is up and ready to be used.  If you search our lesson plan archive for material on Hamlet, for example, you’ll be able to link to the digital edition of the act and/or scene from the play used in the lesson.  And the link is right in the lesson plan to make it even easier for teachers to access the material in digital format.  Take a look, use it, and let us know what you think. And stay tuned because once the rest of the canon is available online in digital format, the lesson plan archive will be updated and linked to those editions as well.

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We’re all talking about it, because we’re so excited that this resource is now available for the world to use! Folger Digital Texts are here!

Folger Digital TextsCurrently featuring 12 of the most popular of Shakespeare’s plays, over the course of the next year we’re planning to see all of Shakespeare’s plays and poems, and a few of his contemporaries make their way to this free resource page. The line numbers in the Folger Digital Texts lines up with the popular printed Folger Editions of Shakespeare’s plays, and are search-able by word or phrase, or jump-able by act, scene, or line number.

The meticulously crafted and embedded text code can even be downloaded for classroom use in project and app creation. We can’t wait to see what you can do!

Our developers are eagerly awaiting feedback as we launch this resource into the world, so please give it a look, try it with your class, play with it at home, and send your feedback to folgertexts@folger.edu.

We’re excited that this can now be counted among the many resources offered by the Folger Shakespeare Library, and hope to hear from you about them!

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Folger Education is proud to announce that we have branched into our own Facebook Page this week!

Over the past year or so, different divisions of the Folger have been branching from the parent Folger Library page to give more specific information of interest to their audience. Maybe you’ve already Liked all of the Folger pages forTheatre, Poetry, and Consort, so add us to the list!

www.facebook.com/FolgerEducation

Like us to get updates as we share our favorite new and classic resources for teachers, and keep you informed of professional development opportunities from us! We’ll be available to respond to posts from you if you have any questions or comments about particular links, resources, or programs!

Share the page with your friends and coordinate with your community electronically to bring Folger Education even closer to you!

If you can’t tell, I’m pretty excited about this development, and really do look forward to interacting with you in a new medium. I’d love to hear from you!

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Today’s post is an extra dose of “Just for Fun.” (For those of you who aren’t sure what that is, sign up now for BardNotes: our monthly e-newsletter for educators!)

Yesterday I learned that one of the most iconic voices in entertainment for this generation got his inspiration from having played Petruchio in The Taming of the Shrew:

He told me I was an Italian plumber from Brooklyn, so my instinct was to try a gruff and coarse voice – ‘hey you, get outta my face!’

What popped into my brain was a character I’d played in Taming Of The Shrew. I was Petruchio going back to get his wife in Italy, and I was a sort of ‘Mamma mia, nice ol’ Italian guy’. So I thought I’d do something like that. I went on and on about spaghetti and meatballs. After half an hour the producer said, ’cut, stop, we’ve run out of tape!’ And he called Nintendo and said ‘I’ve found our Mario’. Mine was the only tape he sent back.

That’s right: the cheerful, bouncy voice of the Nintendo icon introduced in Super Mario 64 had been inspired by a character from Shakespeare voice actor Charles Martinet had once played.

from Mario’s Time Machine

So when you’re reading the play aloud in your classroom together, encourage the students to play, to experiment with different tones, inflections, accents – making the character something unique to them.

Playing and having fun – like when they’re playing Mario Kart at home. They have to try different tactics or turns and in doing so they create their own style. Acting is about experimenting with your voice and body to find how the character speaks through you.

BONUS: In a search for a good image, I came across this extensive list from a couple of years ago of the many ways Shakespeare has appeared in video games. Enjoy!

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