Feeds:
Posts
Comments

Archive for the ‘Uncategorized’ Category

Once a year, for a wonderful week, we throw open the doors of Folger Theatre and invite elementary children, grades three through six, to share Shakespeare. Our stage has been full of Puck, Oberon, Titania, Nick Bottom, Peter Quince, Romeo, Juliet, Macbeth, Lady Macbeth, Hamlet, King Lear and his daughters.

These young students are a constant inspiration with their enthusiasm for Shakespeare’s language, their commitment to Shakespeare’s ideas, and their embodiment of Shakespeare’s stories in their performances. They embrace the experience of performing Shakespeare—getting the words in their mouths and making it their own.

Students shared with us, the audience members, the sweetness of Romeo and Juliet falling in love and the pain of their loss when forbidden love was denied. They shared the fun of Helena, Hermia, Demetrius, and Lysander searching for each other through the woods. They shared the tragedy of King Lear as he realizes his older daughters might have professed their love, but they don’t really love him. They shared the confusion of Hamlet as he tries to work through the chaos of his life.

 

Children's Shakespeare Festival 2013

Children’s Shakespeare Festival 2013

  

During this festival week, we see in action what we know so well: performing Shakespeare gives students the opportunity to use language in ways that are exciting and empowering.

Children and Shakespeare: a winning combination!

 

Read Full Post »

It’s a very busy week in Folger Education! We’re excited to have so much to offer for Shakespeare’s Birthday, this year, and are excited to be a part of PBS LearningMedia’s celebrations as well!

This month,PBS LearningMedia is celebrating “Much Ado About Shakespeare” with online events and resources for educators. Tonight (April 16) from 8-9pm EDT we’re joining forces for a Twitter Party discussing our favorite resources and tools for bringing Shakespeare to life in the classroom! Join us live and share your stories with us!

PBS LearningMedia is also re-releasing episodes and resources for Shakespeare Uncovered, and will be hosting a free webinar with the executive producers of the series on April 22 from 4-5pm EDT. They’ll review video from each episode and the educational resources created to accompany the series with Folger educators.

As you know, we’re coming up on our Electronic Field Trip next Tuesday and our local Shakespeare’s Birthday celebration at our historic building on Sunday. How will you celebrate?

Read Full Post »

Image~by Emily DenBleyker

The Taming of the Shrew came first, when I was 7 or 8 – a community theatre production in their tiny theatre in the middle of a cornfield. Then, when I was 9 and bored with the 4th grade reading list, my teacher gave me special permission to read Romeo and Juliet for a book report. My mom and I read it together: first the story from Lamb’s Tales from Shakespeare, then the actual play, side by side on the couch, trading roles, talking through each scene, playing with the language.

My mother started buying every Shakespeare DVD she could find – filmed theatre productions, movies, specials about Shakespeare – and we would watch them together on quiet nights. I would watch them by myself in my free time or while I was doing homework, internalizing Juliet’s “Wherefore art thou,” and Beatrice’s “What fire is in mine ears?”

I’ve spent this semester as an intern in the Education Division of the Folger, and I’m finding myself more in love with these words than ever before – both how and what they say. It would be cliché to extol the magnificence of Shakespeare’s metaphors and the intricacies of his characterizations, but what I’m marveling over are the lessons and truths he could convey.

At the Secondary School Festival, I saw students who had found the sweetness in the lines years before and I saw students discovering the language for the first time. No matter how new they were to this crazy world we call the theatre, they learned what it feels like to stand in front of a few hundred people and say centuries-old lines that still apply to today. The costumes and the details are a little different, but these stories are told everyday in real life: people lie, fall in love, pretend to be something they’re not.

The biggest thing I’ve learned these past few months is this: to be able to teach these lessons, we have to learn them ourselves. Not literally – I’m not advocating usurping your brother’s dukedom just so you can learn how it feels to be reunited.  In the broader sense, if you look for Shakespeare’s stories in everyday life, you will find them. The words will come alive on the page and your life will be that much more dramatic (in a good way). 

Emily DenBleyker is a junior at Gordon College in Massachusetts. She is spending this semester in Washington DC with the American Studies Program and interning with the Education Division of the Folger Shakespeare Library. After graduating next May, Emily hopes to work in theatre education. Or literature. Or film criticism. Or marketing. 

Read Full Post »

One of the strongest points we keep coming back to in Folger Education is encouraging teachers to use Shakespeare’s text with their students – no “translations.” The definitions these adapted texts can offer limits the possibilities of Shakespeare’s poetry, and stifles the creativity and energy students bring to learning new words and phrases.

Julia Perlowski led an excellent Webinar on this topic in March, “Shakespeare in Other Words,” in which she compared certain passages from Shakespeare to their updated counterparts to show just how much is lost in translation. She also made a great point that the Common Core Standards require students to study complex texts that challenge their minds. You can view a recording of this presentation HERE!

But how can we make connections between our Students and Shakespeare? How can we encourage them to explore Shakespeare’s language with confidence and creativity? For one thing, getting them on their feet with the language discovering Action Clues and other in-text identifiers (which you can learn more about during our upcoming Electronic Field Trip!). For another, we’ll be exploring how two teachers are using Social Media to explore Shakespeare with their classes communicating cross-country with each other in our upcoming May 14th webinar: What’s Done is Done Online.

How are you connecting Shakespeare with your students this year?

Read Full Post »

The Festivals we host at the Folger are my favorite experiences of the year. Students pour into the Folger Theatre with all the energy their young frames can contain and explode with life onstage with Shakespeare’s words.

Sure: not everything always goes as planned. Lines are dropped; nerves get the better of someone; a cast-mate misses a cue… but on those days we hope students take away the knowledge that they can try again tomorrow. The Festival is not the be-all and end-all, but appreciating the language and trying something new is something to hold on to.

Our Secondary Festival takes place over seven days, with 8 schools participating each day. Each group has 25 minutes to present their piece – whether it’s a selection of scenes, an edited full play, or a montage of scenes from many plays creating something new. Between performances, our Mistress of the Revels plays games in which students die the deaths of the tragedies, race to finish Hamlet in under 32 seconds, and compare the comedic tropes of the canon. There’s a break for lunch in the middle, and a break for entertainment (provided by us) in which our commentators discuss the performances of the day and decide whom to recognize for their efforts in acting or understanding of the language. There is no competition for these recognitions, only a celebration of their achievements.

The Children’s Festival later this spring will be five days long with 6 schools performing each day. They’ll be entertained by each other, by an entertainer, and by our Mistress; and they will not get recognitions. Instead, they’ll process through the Folger with homemade banners and our special guest Queen Elizabeth I.

Are there Shakespeare festivals in your area? Tell us about them! We love hearing about (and seeing) Shakespeare performed by students of all ages!

Read Full Post »

A Horse With Wings

AHorseWithWingsPhotoA Horse With Wings is a new children’s book that introduces children to Shakespeare by having characters from his plays sing songs. The journey from  the idea to create the book and its completion is an interesting one.   A few years ago, Daeshin Kim and his wife, Sohyun An,  moved their family from Los Angeles to Paris.  A big adventure, to be sure.  The Kims wanted their children to learn French through immersion in French culture, and they were looking for a change of scene.  What they found in Paris was the challenge their children faced adjusting to their new surroundings. What they also discovered was the power of music to help them get used to their new life in a new country.  The family listened to all kinds of music: English, Korean, and French songs, and they sang along to the sounds and danced to the rhythms present in the music.

Daeshin Kim says that, “the way that music helped our daughter to acclimatise to life in a new country really opened our eyes (and ears!) to the power of music, and our ideas to create children’s songs (with the added bonus of having each song sung from the point of view of a character from Shakespeare) is well documented.”  He even wrote about it on the Royal Shakespeare Company’s myShakespeareblog.  Inspired, the Kims recorded some sample songs, sung by their daughter.

Their journey took them to Kickstarter, a website where people can pitch ideas to raise funds and help to make their project a reality. Daeshin Kim listed his plan for the book, posted a video about it and, according to him, the fundraising effort resulted in the largest amount of money raised for a children’s book on the site, ever.  And somewhere along the way, Folger Education became aware of this work and began to follow its development all the way to the actual production of the book, A Horse With Wings, which was released last December.

A Horse With Wings contains 16 songs, composed and performed by the Kims, including their then five-year-old daughter.  The vibrant illustrations were done by Sohyun An.  Each page has lyrics expressing the point of view of the character from a Shakespeare play on a variety of topics and issues most children will be able to connect with, as well as a line directly from the text of the play. For example, in one of the songs Hamlet sings about Yorick, the court jester, who entertained him in his youth.  In another, Juliet wonders what’s in a name.

There is a free parents’ and teachers’ guide available as a PDF file.  An iPad app is scheduled to be released this spring.  To be sure, these are exciting times for the Kims, and it can be a great opportunity to introduce youngsters to Shakespeare, too.

Full disclosure here: I was asked to write the foreword to the book, which I was happy to do.  The book is getting a lot of positive response.  Daeshin and his daughter were recently interviewed on CBS in Los Angeles, and he’s expected to be part of Folger Education’s conference on teaching Shakespeare in the elementary school in June.  For more information about A Horse With Wings, visit our Shop.  Happy Reading — and listening!

Read Full Post »

ShakMag-logo-titl2

I was fortunate to be the co-founder and co-editor of Shakespeare Magazine, a publication of Georgetown University and Cambridge University Press. Together with my co-editor, Nancy Goodwin and later, Martha Harris, we were in existence from 1996 to 2003. Our audience was mainly teachers, but our reach extended to theater companies and the general public.

 Until recently, some of our archives lived on our Website, created and hosted by Amy Ulen. But alas, all things come to an end (or do they?) and the site was closed. But I managed to salvage the featured articles from the site, and I’ve posted some of my favorites below. I hope you enjoy them.

summer99

One of my favorite features of the magazine was the Broadsheet, located on the inside back cover. Simply stated, these were one-page, copy-ready handouts for teachers.  I’ve converted several of these to PDFs and posted them below. Check them out:

Exit lines
Irony
Early Modern Marriage
Aaron, the Moor
80 Odd Words
Throwing Lines
Othello Word Frequency
Rhyme

If any of you were subscribers, I’d love to hear from you, so do comment below.

winter97cover_ykld

Read Full Post »

    There may be snow on the ground, but Spring is in the air at the Folger.  As the Cherry Blossoms in Washington prepare to bloom, so do our local budding Bards as they prepare for the student festivals right around the corner. While the high school students will stomp the boards in just a couple of weeks at our annual Secondary School Festival, their younger comrades in the elementary grades will give them a run for their money in mid-May during our 34th Annual Children’s Festival. The work of all of these youngsters in their grappling of the text, their connections to the intricate characters and relationships in Shakespeare’s plays is sometimes inconceivable and without a doubt exciting.

Image

 On the heels of our Children’s Festival is the equally exciting Conference on Teaching Shakespeare in the Elementary Classroom. So for all of those who would like to know what this work looks like, now is your chance to join the movement. We are excited to host both local and national educators as we experience the incredible work being done with primary level students and Shakespeare.

   As we share our stories, we’ll also experience and hear the stories behind two newly published books that should be welcomed additions to your Shakespeare for kids library.

Internationally acclaimed playwright Ken Ludwig (Lend Me a Tenor, Crazy for You) joins us as our keynote speaker. Adding author to his long list of accomplishments, Ken will talk and give a demonstration from his newly published book How to Teach Your Children Shakespeare (available June 11). We’ll also be joined by Daeshin Kim, writer and composer of the picture book and CD, A Horse with Wings: Songs for Children Sung by Characters from Shakespeare. Hear about Daeshin’s journey to re-creating the stories of Shakespeare’s characters through music and the voice of a child.  

Image 

To see a full list of our conference presenters and to register, check out http://www.folger.edu/eec. 

Read Full Post »

How do you connect Shakespeare with culture and history?

Those of us teaching Shakespeare to young people in the classroom are tasked with not only making learning interesting but also relevant. In observance of Black History Month, we want to pay tribute to the work of legendary jazz musician, Duke Ellington.

Ellington was a legendary musician whose career spanned fifty years. He composed many songs for the stage, screen and contemporary songbook. His is one of the most distinctive ensemble sounds in Western music He called his sound “American Music”.

Duke Ellington Such Sweet Thunder

In 1957, Ellington composed Such Sweet Thunder, a twelve part album that explores Shakespeare’s canon through jazz composition.

Try playing Such Sweet Thunder for your students: http://www.shakespeareinamericanlife.org/stage/music/thunder/dukeellington.cfm

What other tools can be used to engage students about Shakespeare?

Sheet music for Hamlet-Madness

Sheet music for Hamlet-Madness

Read Full Post »

Ben Jonson once wrote of Shakespeare, “He was not of an age, but for all time.”  Now, almost 400 years after Shakespeare’s death, we live in a world where it gets more difficult every day to convince students of the Bard’s relevance. Cell phones, iPads, and video games seem to have taken center stage in the common teenager’s life.  Is it really as difficult as some suggest to engage today’s student in the study of Shakespeare and his play?  I would argue that Shakespeare is doing just fine in 2013.  In a recent Folger Education Facebook entry, there was a link posted about seven upcoming film or television projects that all involved Shakespeare.  PBS recently began their six episode series entitled “Shakespeare Uncovered” and the first episode examined my all time favorite play, Macbeth.  As someone who feels they have a strong grasp of the play, I was fascinated at all the little insights I gained from watching this episode.  It was especially thrilling for me to see Dunsinane Hill and possibly the remnants of Birnam Wood in the surrounding countryside. As I watched, I was already plotting which clips from the show I wanted to share with my students next year when we study Macbeth.

In addition, I am amazed at how many newspaper and magazine headlines, syndicated columnists, and television shows make references to the Bard’s works.  One recent example that comes to mind was an opinion piece about the US tax code and how it relates to Shakespeare.  On television, CBS’s The Mentalist had two episodes from 2012 where Shakespeare had a major role in the outcome of the show. In the episode, “Something’s Rotten in Redmund” the lead character Patrick Jane investigates a teacher’s death by hanging around rehearsals of Hamlet.  By the end of the episode, Jane is on stage playing the ghost of Hamlet’s father and let’s just say that this ghost has other things to reveal than a usurping uncle. In another episode, “Cheap Burgundy,” Jane catches a killer by misquoting lines from Macbeth that the killer supposedly knew nothing about, but who felt the need to correct Jane’s mistake.  In this week’s Sports Illustrated, there is a college basketball article by Luke Winn entitled “Cry Havoc and Let Slip the Dogs of Hoops.”  I love seeing references to Julius Caesar in my favorite sports magazine.

While this was a long-winded introduction to what I want to share, I think it is important that students be shown the numerous examples of how the Bard’s works are alive and well in the 21st Century.   With that said, I also think that, we as educators, need to embrace the technology of today and also get the students out of their desks and experience the plays on their feet.  In this blog, I would like to share two of the activities that I have done in my classroom over the past three years to make the Bard come alive and allow the students to use a plethora of the technology that they love.

One of my most popular classroom activities is the making of a movie trailer after we study a play.  With the majority of newer iPads and cell phones  possessing video cameras that are HD quality, many of the students can film these projects using their own devices.  Of course, actual video cameras may be used as well.  The simplicity of movie editing programs like iMovie, Windows Movie Maker, and other similar programs allow students to use edit the film and use effects that we could only dream of having at our fingertips ten years ago.  So far, my classes have done Hamlet and Othello.  None of them will earn Oscars, but they all have a special place in my heart and the students appear to really enjoy this particular week of my class.

Image

Chris’s students act out scenes from HAMLET for their trailer project.

I will give you a general overview of what the students are responsible for, but if anyone has more specific questions feel free to contact me.  First, the students make groups of 7-10 depending on class size.  Together, we view some film trailers in class and have a short discussion on what was effective or ineffective about each.  Next, the students decide on which scenes or lines must make an appearance in the film.  I try and stress to them that short clips are most effective, but if you watch the links that I provide you will see that they don’t always follow those instructions.  Sometimes their disobedience was effective and other times not so much.  After building the script, Students also need to discuss scene locations(we are limited to our school grounds), costumes, and props.  We usually borrow clothes from the drama department closet, but you will see in the Othello trailers that some were just dressed in normal school clothes. Finally,  we begin the filming process.  Even though the trailer will probably be no more than one to four minutes long, it will probably take at least three or four days to film and we have the block schedule at my high school.  One can never underestimate how many times the “actors” will stumble over their lines, unexpected encounters with  students from other classes or cars that appear in your video backgrounds forcing a cut, or when the laughter bug hits and nobody can keep a straight face.  You can view the bloopers reel at the end of our trailer videos to see what I mean.

After all of the filming is completed, the editing process takes over. I usually do most of the editing with the help of a few students.  I think this is a mistake that I need to remedy.  There is a pretty slick trailer feature on iMovie that my dog could probably figure out with a little time.  My plan this year is to arm the students with iPads and allow them to use the iMovie app to create their masterpieces.  I have included links to our previous trailers here.  Hamlet #1 , Hamlet #2 , Both Othello Trailers.

Staying on the theme of video production, I’d like to quickly share a project that two of my students created on their own that I now plan on having my future classes do as a formal assignment.  They called it the “Shakespeare Infomercial”. Neil and Spencer picked a product to sell that played a role in a specific play.  In one Othello infomercial, they sell an Egyptian handkerchief complete with strawberry embroidery. If the customers acted soon enough, they would also throw in a complimentary scimitar and scabbard.  They finished the video with several satisfied customer’s remarks.  What I enjoyed most about the infomercials was how they threw in several references to the plays and the Bard that were very clever.  Watch the Othello informercial here and then check out their Macbeth infomerical where they sell witch cauldrons among other items.  The portion of the assignment that takes the longest is the writing out of the script. They filmed and edited the video on an iPad in under an hour.

I am out of space, but I hope to share some more activities from my classroom in the future.  Thanks for taking the time to read this and making your classroom one that makes the Bard come alive!

Chris Lavold has been  an English teacher and baseball coach at Mauston High School in Mauston, WI for the past 16 years.  As a 2010 Folger Library Teaching Shakespeare Institute participant, he learned many valuable techniques and insights about Shakespeare and the teaching of his plays.  He has spoken at the NCTE conference for the past two years on behalf of the Folger on topics specializing in technology and the use of film in the classroom. Lavold can be reached at clavold@maustonschools.org  or follow him on Twitter @Shakehitch.

Read Full Post »

Older Posts »

Follow

Get every new post delivered to your Inbox.

Join 97 other followers